摘要
烟台博物馆藏《明代男子画像》《明代女子画像》为两件立轴祖先画像。作品因年久失修,画面空鼓起翘严重、纵向折痕分布密集,被送到故宫博物院文保科技部进行检测和抢救性修复。两件立轴均有重新装裱修复的痕迹,重修过程使部分原始文物信息丢失,又因作品久存库房鲜有学者关注研究,长期以来学界对两件作品的认识还不充分。本文尝试通过对画像中人物服制和绘画技法等方面的分析,对两幅立轴祖先画像的绘制年代、人物身份进行考证。进而结合科技检测数据,对其重修时的方法及特点进行分析,推测重修和装裱的年代和原因。
The Portrait of Man in the Ming Dynasty and The Portrait of Woman in the Ming Dynasty collected by Yantai Museum are two hanging scroll of ancestral portraits.Due to disrepair over a long period of time,the paintings are severely hollowing and warped,while vertical creases are densely distributed.Therefore,they were sent to the Palace Museum’s Conservation Department for testing and emergency conservation.Traces of remounting and renovation were found in both paintings,causing partial loss of the information on original paintings.Meanwhile,because the works have been kept in storage for a long time,few scholars have paid attention to them.Thus,for a long time,the academic circles have not gained sufficient understanding on the two works.This article attempts to verify the date of the two hanging scrolls’creation,identity of the characters portrayed by analyzing the costumes and painting techniques of the characters in the portraits.Then combined with scientific and technological testing data,the methods and characteristics of the restoration were analyzed,while the age and reasons for the remounting were speculated.
出处
《故宫学刊》
2022年第1期455-467,共13页
Journal of Gugong Studies
关键词
明代祖先画像
明代服饰
补服图案
江南画法
装裱
ancestral portraits of the Ming dynasty
Ming dynasty costumes
badge motif on official surcoat
Jiangnan painting technique
mounting
