摘要
在影像符号日渐包围日常生活的语境中,大众在文化领域的观演关系越发固定,并在无形中深陷各类视觉生产所塑造的牢笼,也因此难以完成想象的突围。在此意义上,我们有必要寻找一种新的叙事模式,以此打开新的艺术可能性。剧本游戏是文本、游戏两种媒介为基础构架而成的特殊游戏品类。在现有的发展中,剧本游戏不断通过对音频、影像、戏剧等领域的引入,使得游戏的综合性大大提高。自其引入以来,对玩家主动性参与的唤醒就是其特色所在。作为文化娱乐消费的一项选择,其带来的不仅是探索、解谜与对他人故事的共情。更因其对观演关系的反思与重构,带来了自我关心的一种可能性。在未来跨媒体叙事的互文语境下,剧本游戏的艺术潜能值得期待。
In a context where visual symbols are increasingly surrounding daily life,the public’s relationship with the cultural sphere is becoming more and more fixed,and they are invisibly trapped in a cage shaped by various types of visual production,which makes it difficult to break out of the imagination.In this sense,we need to find a new narrative mode that opens up new artistic possibilities.Script Game are a special category of games based on two media:text and game.In its current development,Script Game have continued to become more comprehensive through the introduction of audio,video,theatre and other fields.Since its introduction,it has been characterised by the evocation of active participation by players.As an option for cultural and entertainment consumption,it brings not only exploration,puzzle solving and empathy for the stories of others.It also offers the possibility of self-care through the reflection and reconstruction of the relationship between the viewer and the actor.In the intertextual context of future cross-media narratives,the artistic potential of scripted games is worthy of anticipation.
出处
《北京文化创意》
2021年第6期66-75,共10页
Beijing Culture Creativity
关键词
剧本游戏
观演关系
发达影像时代
视觉
体验
Script Game
specator-actor relationship
the age of the developed image
visual
experience
作者简介
吉嘉琦,海南师范大学文学院文艺学硕士研究生,研究方向为新诗研究与文化研究;张伟栋,海南师范大学文学院副教授,博士研究生导师
