摘要
杜甫的七言八句体诗歌分为近体(含吴体)和古体两种,其中七言八句体古诗今存40首。本文通过分析认为杜甫在创作七言八句古体诗之时,具有非常明显的辨体意识:一方面,是古体与近体的两种诗型的辨体意识,在创作中,通过声律、篇法、字法等方面的技巧,强调古诗的体调特征,进而彰显它们和近体七律的体式差别;另一方面,是古体内部古诗和歌行两种题材的辨体意识。在这40首诗歌内部,又通过诗歌抒情特征、表达方式、铺叙节奏等方面区分歌行、古诗两种不同的诗型。
Du Fu’s seven-character and eight-line poems are divided into two types:modern style(including Wu style)and ancient style,among which there are 40 poems in seven-character and eight-line style.Based on analysis,this paper believes that Du Fu was clearly conscious of discerning the forms when writing the seven-character and eight-line ancient poems.On the one hand,it is the consciousness of form discernment in two styles of poetry:ancient style and modern style.Based on techniques in terms of rhythm,structure and wording,the style is emphasized,highlighting the form differences between poems of ancient style and the seven-character poems of modern style.On the other hand,chanting poems and ancient poems can be discerned within 40 poems in seven-character and eight-line style on the basis of lyric characteristics,ways of expression,narration and so on.
出处
《杜甫研究学刊》
2019年第4期32-38,共7页
Journal of Du fu Studies
关键词
杜甫
七言八句体
体调
古体诗
近体诗
辨体
Du Fu
seven-character and eight-line style
styles
ancient poems
modern style poems
form discernment
作者简介
王帅,北京大学中文系2016级博士研究生,100871。
