摘要
明清上海地区先后出现了松江画派和海上画派,这两个画派在中国绘画史上影响极大,本文通过对这两个画派基本情况的梳理,考察两者之间的关系与差异,探讨画派递变背后的社会经济因素。
Songjiang school of painting and Shanghai school of painting emerged successively in Shanghai during the Ming and Qing Dynasties, which had a great influence on the Chinese painting history. This essay, by teasing out the basic situation of these two schools, investigates the relationship and differences between them and also discusses the social and economic factors behind their gradual changes.
出处
《都会遗踪》
2020年第3期2-14,共13页
Cultural Heritage of Cities
基金
2018年上海市哲学社会科学“近代江南文化向海派文化的转型研究”课题(2018XAC002)阶段性成果
