摘要
中国独特的社会语境中,在雕塑中融入"记忆"是实现民族文化认同的措施之一。在以飞禽图像形构的记忆景观中,文章立足"记忆与反记忆"理论视阈,从对比、反动、批判三个视角对中国当代雕塑进行了分析。在"国家权力视角"与"个体艺术家"两个创作维度中聚焦了当代雕塑的塑成方式,这是一种"对比"视角。以"反记忆"为逻辑启示,解析了当代艺术家对前文本所进行的"另解读"案例,这是一种不同于以往再现文化内容的张力抑或"反动"视角,最后,本文以批判的视角对中国都市中的地缘性雕塑进行了分析。
In the unique social context of China,the integration of"memory"into sculpture creation is one of the measures to achieve national cultural identity.Based on the theory of"memory and anti-memory",this paper analyses Chinese contemporary sculpture from three perspectives:contrast,reaction and criticism.In the two creative dimensions of"the perspective of state power"and"individual artists",we focus on the way of contemporary sculpture formation,which is a"contrast"perspective.Taking"anti-memory"as a logical inspiration,this paper analyses the case of"another interpretation"of the previous text by contemporary artists.This is a tension or"reactionary"perspective which is different from the previous representation of cultural content.Finally,this paper analyzes the geopolitical sculptures in Chinese cities from a critical perspective.
出处
《都市文化研究》
2019年第1期213-222,共10页
Urban Cultural Studies
作者简介
厉华,四川大学艺术学院博士研究生。
