摘要
电影的地域性特征最初表现在"十七年"时期的少数民族电影,随后的20世纪80年代西部电影彰显了地域电影的兴起。新世纪以来,在面对好莱坞电影的巨大冲击、以及全球化语境中,电影创作的地域性凸显成为一种应对的策略。对地域电影的研究最早出现在20世纪50年代。20世纪80年代西部电影研究将地域电影的讨论提上学术日程。以多种地域空间为容器的地域电影史史料的收集和整理进入学术范畴,地域电影史的书写及其多学科视角的微观研究,影片中地域文化表达与美学风格、形象塑造与传播、地域想象与文化身份认同等一系列富有逻辑的话题丰富了电影理论研究。
The regional characteristics of the film were initially shown in the minority films of the seventeen years period.The 1980 s western film highlighted the rise of regional cinema.Since the 21 st century,facing the huge impact of Hollywood films and the globalization context,the localization of film creation has become a coping strategy.The research on regional films first appeared in 1950 s,but did not pay attention to the regional problems of films.In the 1980 s,western film studies put the discussion of regional films on the academic agenda.The collection and arrangement of historical materials of regional film history with various regional Spaces as containers have entered the academic category.The writing of the history of regional films and the micro-study from the perspective of multiple disciplines,a series of logical topics in the film,such as the expression and aesthetic style of regional culture,image building and communication,regional imagination and cultural identity,have enriched the film theory research.Geography has become a new paradigm for film theory research.
关键词
地域电影
综述
研究范式
Regional Film
Review
Research Paradigm
作者简介
张慨,上海大学上海电影学院教授、博导;魏媛媛,上海大学上海电影学院硕士研究生
