摘要
新世纪影视剧中的革命再叙述不断以镜像隐喻的呈现方式进行着现实观照,在打开通向历史审美的观赏视窗的同时,也以不断添加"私货"的形式加快了消费革命、娱乐历史的轻快步伐,从而对应着新世纪语境下的都市生存迷思、反现代性怀旧和新国家主义想象多元话语龃龉互渗的留存痕迹。这种影像定格是时代主潮从"泛政治化"的"历史革命化"转向"去政治化"的"革命历史化"之后,"革命"被放入"历史"的复杂装置之中再度赋魅和祛魅而展现的审美征候,考辨其在地再生的多样性与有效性,对于建构"革命"叙事蓬勃发展的新气象尤为重要。
In the new century,films and television programs often narrate revolutionary events by mirror metaphors,thus reflect reality.In this way,they,while opening the viewing window leading to historical aesthetics,accelerated the brisk pace of the consumer revolution and entertainment history by continuously adding their"private goods",thus corresponding to the multiple context mixed with urban survival myth,anti-modern nostalgia and new nationalism in the new century.This is an aesthetic phenomenon showed when"revolution"was re-enchanted and disenchanted in the complex context of"history"after the tide of the times has changed from"a revolutionized history",which is of"pan-politicization",to"a historical revolution",which is of"depoliticization".Examining the diversity and effectiveness of this phenomenon is particularly important for constructing a new climate in which the"revolutionary"narrative is flourishing.
作者
赵庆超
ZHAO Qing-chao(School of Humanities,Jinggangshan University,Ji’an 343009,China)
出处
《红色文化资源研究》
2019年第2期174-185,共12页
Studies of Red Cultural Resources
基金
教育部高校人文重点研究基地井冈山大学中国共产党革命精神与文化资源研究中心重大项目“红色文艺史料整理、改编传播与功能价值研究”(项目编号:18JJD770004)
江西省社会科学规划项目“革命的赋魅与祛魅重述:新时期革命历史小说影视剧改编研究”(项目编号:15WX08).
关键词
新世纪
革命历史
影视剧
镜像隐喻
现实观照
the new century
revolutionary history
films and television programs
mirror metaphors
reflecting reality
作者简介
赵庆超(1976—),山东曹县人,副教授,博士,主要从事红色资源与影视艺术理论研究。
