摘要
在现代化和全球化背景下,黑衣壮民歌赖以生存的文化土壤发生了变迁,其社会功能和审美意蕴也随之发生了变化,体现为一种韵与余韵之美。黑衣壮原生民歌因其所蕴含的膜拜价值和社会历史内容,迥异于现代艺术,体现为一种韵之美。受现代文明的冲击,黑衣壮民歌从具有膜拜价值的神圣之物逐步演变为供人们消遣娱乐的展示之物,新形态的黑衣壮民歌在当代社会中继续发挥其审美价值与批判功能,为现代化背景下的人们提供了一种精神家园,成为一种“乡愁乌托邦”,体现为一种余韵之美。
Against the background of modernization and globalization,the black-cloth Zhuang folk songs have changed along with their cultural soil,and their social function and aesthetic implications have also altered—the beauty of charm replaced by lingering charm.Because of their importance in worship and socio-historical content,the original black-cloth Zhuang folk songs are essentially different from modern art.While influenced by modernization in the context of globalization,the sacred character and value in worship of original blackcloth Zhuang folk songs evolved into secular goal of display and people’s entertainment.The black-cloth Zhuang folk songs continue to play an aesthetic role in contemporary society;they eventually became a kind of nostalgia utopia which provided the beauty of lingering charm.
作者
向先清
范秀娟
Xiang Xianqing;Fan Xiujuan(Guangxi Normal University for nationalities;Guangxi Normal University)
出处
《马克思主义美学研究》
2021年第2期492-503,739,共13页
Research on Marxist Aesthetics
基金
2015年广西哲学社会科学规划项目(15EMZ003)阶段性成果
关键词
黑衣壮民歌
韵与余韵
乡愁乌托邦
black-cloth Zhuang folk songs
charm and lingering charm
nostalgia utopia
作者简介
向先清,广西民族师范学院艺术学院讲师,菲律宾女子大学博士研究生,主要从事审美人类学研究;范秀娟,广西民族大学文学院教授,博士生导师,主要从事审美人类学研究。
