摘要
审美主义强调感性体验和审美自律,其美学内涵与新媒介文学的世俗倾向构成了逆向张力。审美主义与19世纪唯美主义文学流派具有思想上的延续性。唯美主义强调艺术自律特征,它作为文艺运动、艺术观和人生观,表达了对美的追求。审美主义起源于德国的现代性思想传统,法兰克福学派对审美现代性作出总体反思,审美主义从审美自治延伸至社会领域。新审美主义重提文学性,关注文学的感性力量,将审美与文学深度连接。新媒介文学的世俗化倾向表现为拓展的文学表意空间与失落的历史纵深维度,这正是审美主义批判的现实难题与强调的破解之途。
Aestheticism emphasizes perceptual experience and aesthetic self-discipline,and there is a reverse tension between the aesthetic intention of aestheticism and the secular tendency of new media literature.Aestheticism appeared as a continuity of the view of literature's“art for art's sake”,which emphasized artistic self-discipline characteristics,in the 19th century.Aestheticism emphasizes the self-discipline character of art,which implies the pursuit of beauty as a literary movement,a view of art and a view of life.Aestheticism originated from the German modernity tradition.Frankfurt School made a general reflection on aesthetic modernity,and aestheticism extended from aesthetic autonomy to the social sphere.The new aestheticism reemphasizes literariness,focuses on the sensibility of literature,and connects aesthetics with literature.The new media literature expands the space of literature through text,video,network and other kinds of media,while it lost the depth of history.The new media literature reflects the secularized tendency.Facing the development of new media literature is helpful to promote the theoretical validity of aestheticism.
作者
周才庶
Caishu ZHOU(Nankai University)
出处
《马克思主义美学研究》
2024年第1期299-311,481-482,共15页
Research on Marxist Aesthetics
基金
国家社会科学基金后期资助项目“新媒介文学的审美经验研究”(19FZWB061)阶段性成果
关键词
审美主义
新媒介文学
法兰克福学派
王尔德
世俗
Aestheticism
new media literature
Frankfurt School
Oscar Wilde
secularization
作者简介
周才庶,南开大学新闻与传播学院副教授,文学博士,硕士生导师,研究方向:文艺理论、新媒介文论、美学
