摘要
马克思的思想经历了从生产逻辑到资本逻辑的转换。他在不断转换其思想逻辑的过程中,从生产的政治经济学意义与哲学意义两个方面对艺术生产问题做出了不同论述。在生产逻辑阶段,马克思主要对艺术生产的物质条件展开分析,强调艺术生产具有审美解放功能。在资本逻辑阶段,马克思认为艺术生产是创造剩余价值的商品生产,能够对资本逻辑展开审美批判。这些论述作为一个有机整体,既体现出马克思的哲学理想,也为这一理想的实现提供了政治经济学论证。为了把握马克思的艺术生产理论的深层内涵,应该从社会语境、历史发展以及理论内涵三个层面对其展开综合分析。
The dominant logic of Marx’s thought is the logic of production from 1845 to 1858,and is the logic of capital after 1858.Marx talks about the artistic production on the basis of the economical and philosophical implications of production and has different conclusions when he transforms the dominant logic of his thought.Marx explores the material condition of the artistic production and stress the aesthetic liberation of the artistic production when his thought is in the stage of logic of production.Marx emphasizes the artistic production is the commodity production which can generates surplus-value,and can criticize the logic of capital in the field of aesthetics when his thought is in the stage of logic of capital.Marx’s arguments of the artistic production are organic whole,which give expression to Marx’s social ideals in philosophy and prove the validity of his social ideals in political economy.The theory of Marx’s artistic production should be constructed from social context,the development of history and theoretical intension in order to grasp the connotations of Marx’s artistic production.
出处
《南京社会科学》
CSSCI
北大核心
2019年第11期127-134,共8页
Nanjing Journal of Social Sciences
基金
国家社科基金重大项目“马克思主义经典文艺思想中国化当代化研究”(17ZDA269)的阶段性成果.
关键词
艺术生产
生产逻辑
资本逻辑
历史唯物主义
artistic production
the logic of production
the logic of capital
historical materialism
作者简介
李永新,南京师范大学文学院副教授、博士,南京210097
