摘要
麦尔维尔在《水手比利·巴德》中绘制了一幅由克分子线、分子线和逃逸线构成的情感强度地图。随着情感强度的变化,语言在三种线上不断移动:存在于克分子线上的语言发挥辖域化作用,转移到分子线上的语言发挥相对性的解辖域化作用,从分子线返回到克分子线上的语言构成了再辖域化作用,而进一步沿逃逸线疾驰的语言则发挥绝对的解辖域化作用。在构成情感强度地图的三种线中,逃逸线最为重要,因为它赋予了情感强度地图不断生成的特性,记录着语言通过解辖域化达到生成-寂静和生成-不可感知的过程。
Melville drew"a map of affect intensities"composed of molar line,molecular line and line of flight in Billy Budd,Sailor.With the change of affect intensities,language moves constantly along three lines:the language existing on the molar line plays a role of territorialization;the language transferred to the molecular line plays a role of relative deterritorialization;the language returned from the molecular line to the molar line constitutes a role of reterritorialization,and the language further galloping along the line of flight plays a role of absolute deterritorialization.The line of flight is the most important of the three lines that make up"a map of affect intensities",because it gives"a map of affect intensities".
出处
《国外文学》
CSSCI
北大核心
2021年第1期103-111,159,共10页
Foreign Literatures
基金
国家社会科学基金重大项目“美国文学地理的文史考证与学科建构”(项目编号:16ZDA197)
天津市哲学社会科学规划项目“19世纪美国文学地图和海洋空间生产”(项目编号:TJWW19-007/ZXYTBE121252)的阶段性成果
