摘要
中国造物文化的现代化演进,从外在环境、传承方式和审美观念角度看,有三个重要变迁轨迹:从重农到尚工、重士到重实业;从师徒传授到现代美术教育;从传统造物审美到现代实用审美。这种演进是历史的必然,但不能因此忽视传统造物富有生命力的基因及其当代价值。后小康时代作为现代造物主流的工业设计,正处于智能化技术背景下新的转型之中;技术特征上呈现的人工智能与物联网的逐渐普及,文化特征上呈示的文化与智能科技深度融合,制度特征上体现的治理能力和法律保障的新挑战,都需要人们以新的思维理念迎接现代设计的新变革。为适应后小康时代文化高质量发展需要,应赋予工业设计以文化灵魂,寻求传统与现代造物的有机匹配,致力于有高度的创新设计,以创造新时代中华造物的新经典。
From the perspective of external environment,inheritance methods and aesthetic concepts,the modern evolution of Chinese culture of creation has three important traces of changes:the focus shifts from agriculture to industry,from talents to industrial enterprises;from mentoring to modern art education;from traditional creation aesthetics to modern practical aesthetics.This evolution is a historical necessity,but the vital gene of traditional creation and its contemporary value cannot be ignored.As the mainstream of modern creation in the post-well-off era,industrial design is undergoing a new transformation under the background of intelligent technology;the gradual popularization of artificial intelligence and Internet of Things shown in the technical characteristics,the deep integration of culture and intelligent technology displayed in the cultural characteristics,and the new challenges in governance capabilities and legal protection reflected in the systematic characteristics,all require people to embrace the new changes in modern design with new ideas and concepts.In order to meet the needs of high-quality cultural development in the post-well-off era,people should endow industrial design with a cultural soul,seek an organic match between traditional and modern creations,aim for highly innovative designs,so as to create new classics of Chinese creation in the new era.
出处
《文化产业研究》
2020年第3期22-35,共14页
Cultural Industry Research
关键词
造物文化
后小康时代
现代转化
工业设计
智能化
Culture of Creation
Post-well-off Era
Modern Transformation
Industrial Design
Intelligence
作者简介
管宁(1958-),江苏苏州人,福建社会科学院研究员、博士生导师。研究方向为文化理论与文化产业。
