摘要
文章在形象学理论的指导下对比研究周思的The Rose Crossing与李尧汉译本《黑玫瑰》中国形象的变化,并从传统与现实两种语境着手对李尧译本中偏离原作的"自我形象"进行解读。通过内部文本形象分析,发现译者分别从天朝上国形象、忠君报国形象与男女欢爱形象三个方面重塑了一个符合目的语语境期待的中国形象,译者建构的回归式自我形象映射出译者对于传统与现实双重视野的文化解读。文章通过研究译本对原文本中中国形象的改写,探索跨文化书写、翻译与文化形象之间的相互作用,以此拓宽学界对周思笔下中国形象的研究,并进一步推动形象学翻译研究的发展。
Using imagological theory,this paper makes a comparative study of changes in the China image in Nicholas Jose’s The Rose Crossing and Li Yao’s translation,and shows how the“self-image”deviated from the original work from both traditional and realistic perspectives.Through image analysis of the text,this paper finds that the translator remolds a China image that satisfies the expectations of the target language context in three examples:the image of the Celestial Empire,the image of loyalty to the emperor and nation,and the image of sex.The regressive self-image constructed by the translator reflects his cultural interpretation of the dual vision of tradition and reality.By studying the rewriting of the China image in the translated text,this paper explores the interaction among cross-cultural writing,translation,and the cultural image,hoping to broaden academic research on the China image in Nicholas Jose’s works and further promote the development of image-based translation research.
作者
贺荣
梁林歆
Rong He;Linxin Liang(School of Humanities,Huazhong University of Science and Technology,Wuhan,Hubei,China;School of Foreign Languages,Huazhong University of Science and Technology,Wuhan,Hubei,China)
出处
《外国语言与文化》
2021年第2期114-123,共10页
Foreign Languages and Cultures
关键词
形象学
自我形象
《黑玫瑰》
中国形象
imagological approach
self-image
The Rose Crossing
China image
作者简介
Rong He,School of Humanities,Huazhong University of Science and Technology,Wuhan,Hubei,China;Linxin Liang,Associate Professor,School of Foreign Languages,Huazhong University of Science and Technology,Wuhan,Hubei,China
