摘要
佛典阅读是文人接受佛教的重要方式之一,而其文学作品在很大程度上也可以显示其佛教的接受情况。从李白作品看,其可能阅读过的佛经典籍应不少于16部,并大致经历了开元、天宝及至德后至病殁时期三个阶段。三阶段的接受特点也有所不同,呈现出从一般性的阅读接受到佛理探求、禅悟体验,再到兴趣逐渐消退的发展过程。就作品的文学表现特点来看,一是社交应酬性作品较多;二是诗文的佛典语汇运用体现了其学佛习禅的知识积淀,但因其接受佛教思想的有限性,故作品的意义世界并未因此而发生根本的变化;三是因佛教思想未能进入诗歌的意境创造,故未能形成诗禅融合无间的诗歌意境。
Buddhist Scripture reading is one of the important ways for literati to receive Buddhism,and their literary works can also largely show their reception of Buddhism.According to Li Bai’s works,there should be no less than 16 books of Buddhist classics that he might read,and generally experienced three stages:the Kaiyuan Period,Tianbao Period,and the period from Zhide to his death.Firstly,there are many social entertainment works;secondly,the use of Buddhist vocabulary in poetry reflects his accumulation of knowledge in the study of Buddhism and Zen,but because of its limited reception of the Buddhist thoughts,the meaningful world of the works has not changed fundamentally;thirdly,because the Buddhist thought fails to enter the artistic conception of poetry creation,it fails to form a poetic artistic conception that merged poetry with Zen.
出处
《清华大学学报（哲学社会科学版）》
CSSCI
北大核心
2021年第3期113-125,208,共14页
Journal of Tsinghua University(Philosophy and Social Sciences)
基金
国家社会科学基金重大项目“唐代到北宋丝绸之路(陆路)上的驿站、寺庙、重要古迹与文人活动、文学创作及文化传播”(18ZDA241)
