摘要
传统戏曲活动深嵌乡村共同体,凝聚族群的审美基因与共有记忆,参与“吾土吾民”情感结构的历史重塑。现代民族国家共同体的历史实践,既想征用戏曲所具有的强大基层动员潜能,又在某种程度上视之为现代性的“他者”,而这也构成戏曲革新的深层逻辑。在新的历史交汇处提出的“戏曲美学共同体”概念,熔铸中华美学精神、现代思想资源、当代中国经验,具有学理内涵、实践品格、民族气派,有助于推进戏曲以更加丰富的呈现方式延伸拓展自身价值和夯实人类命运共同体的戏曲文化之基。
Traditional operas were deeply based on country community,reflecting aesthetic genes and common memories of ethnic groups,and participating in historic reconstruction of our people’s emotion structure.The historical practices of modern national community intends to explore the strong potentiality of of traditional opera in grassroots,and regards them as“the otherness”of modernity to a certain degree as well,which forms the deep logic of traditional opera innovation.At the intersection of historical changes,the introduction of the concept of traditional opera aesthetic community,with Chinese aesthetic spirit,modern thinking resources and experience in contemporary China,possesses academic connotation,practical character and national style,and will promote traditional opera to improve its values by various approaches,to serve for the base of a community of shared future for mankind.
作者
王伟
WANG Wei(College of Literature and Communication,Quanzhou Normal University,Fujian 362000,China;Chinese Department,Xiamen University,Fujian 361005,China)
出处
《泉州师范学院学报》
2022年第3期53-57,共5页
Journal of Quanzhou Normal University
基金
福建省社会科学规划项目(FJ2020B100)
福建省高校以马克思主义为指导的哲学社会科学学科基础理论研究项目(JSZM2020055)
福建省本科高校教育教学改革研究项目(FBJG20210251)
关键词
共同体美学
戏曲现代性
文化治理
地方戏曲
community aesthetics
modernity of traditional opera
culture governance
local opera
作者简介
王伟(1981—),男,福建泉州人,教授,博士,主要从事戏剧与影视文学研究。
