摘要
2019年,中国纪录片的创作生态整体呈现出连续与变动并存的情境。一方面,这一年的纪录片生产再次呼应着时代之音———中华人民共和国成立70周年,但不同的是,创作者开始有意识地将中国视角、中国经验、中国答案融入影像之中,形成接合世界的国家自我表述;另一方面,以收纳个人记忆为诉求的纪录片开始成为可贵的趋向,叩响历史的无声之处不再是纪录片人无意为之的结果,而是纪录片人努力达到的结果。同时,2019年的国产纪录片在数字化时代所呈现出的界限的模糊、类型的杂糅、价值的融合更是连续与变动的有效例证。瞩目过去在于呼唤未来。当2020年开启,在中国与世界其他国家遭遇新冠肺炎疫情的冲击之时,我们能否从2019年连续但又充满变动的纪录片生产中汲取力量,将极大影响着我们能否为21世纪第三个十年的中国纪录片赢得一个充满前景的未来。
In 2019,Chinese documentaries presented a situation of continuity and change.On the one hand,Chinese documentaries in 2019 echoed with the voice of the time—the 70 th anniversary of the founding of the People's Republic of China,but the difference is that the film makers began to consciously integrate Chinese perspectives,Chinese experience and Chinese answers into the image to respond to world problems.On the other hand,the documentaries that tried to gather personal memories have become a valuable trend,and to listen to the silence of history is no longer an unintended result,but a conscious effort Meanwhile,the ambiguity of boundaries,mixed types and diversity of values are examples of the feature of continuity and change in Chinese documentaries in 2019.To focus on the past is for calling for the future.When China as well as the whole world has been experiencing the impact of COVID-19,whether we can draw strength from the past will greatly affect if we can have a promising future of Chinese documentaries of the third decade in 21st country.
作者
张雅欣
林世健
Zhang Yaxin;Lin Shijian
出处
《中国新闻传播研究》
2020年第3期-,共10页
China Journalism and Communication Journal
关键词
纪录片
数字时代
个人记忆
documentary
digital era
personal memory
作者简介
张雅欣,中国传媒大学电视学院教授;林世健,中国传媒大学电视学院纪录片专业博士研究生
