摘要
本文从内容生产和产业发展视角,结合相关调研、个案研究及行业负责人访谈,对中国纪录片发展现状与趋势进行把脉。当下,中国纪录片产业整体步入一个"新旧动能转换"、产业结构性调整的阶段。中国纪录片的生产创作受到产业新旧动能转换的影响,电视媒体在融合浪潮下正经历艰难变革;新媒体纪录片的全面爆发,让中国纪录片的"网生时代"真正到来;纪录电影在院线化回归方面仍然道阻且长。纪录片的主流气质更加明显,社会功能进一步释放。在互联网赋能、功能驱动、多元市场主体崛起的"公众时代",中国纪录片产业呈现出更加活跃的革新态势。
This research summarizes the development of Chinese documentary in2019 from the perspective of content production and industrial upgradation through social research,case studies,and interviews with relevant industry leaders and managers.At present,the Chinese documentary is under industrial restructuring and its production is affected by the conversion of old and new kinetic energy of the industry.Television media has undergone reforms in content production.Also,Chinese documentary has entered the“Net Era”due to the full-scale outbreak of documentaries in new media.Yet,documentary film still remains a space to explore in commercial film industry.The mainstream characteristics of Chinese documentary are more obvious,and its social function is further releasing.Overall,in the“Public Era”involved with Internet empowerment,function-driven,and the rise of multiple market players,Chinese documentary industry has seen a more active and innovative trend.
作者
何苏六
韩飞
He Suliu;Han Fei
出处
《中国新闻传播研究》
2020年第6期107-121,共15页
China Journalism and Communication Journal
基金
中国传媒大学中央高校基本科研业务费专项资金资助,是“融媒体时代下纪录片产业发展和类型化研究”(项目编号:CUC2019A015)、“产业化视野下中国纪录片的国际传播与国家形象建构”(CUC200F02)的研究成果
关键词
纪录片
产业
新旧动能转换
社会功能
网生时代
documentary
industry
conversion of new and old kinetic energy
social function
net era
作者简介
何苏六,中国传媒大学新闻传播学部副学部长、中国纪录片研究中心主任,教授、博士生导师;韩飞,中国传媒大学电视学院教师、新闻传播学博士后
