摘要
“80后”群体是被特定时代塑造过的具有历史特殊性的群体,相较于父辈和后辈文化有着独属于自己代际的文化诉求和价值观念。歌手偶像作为“80后”群体青春期出现的一种独特的文化符号,承载着这个群体对消逝的青春独有的文化记忆。“80后”群体通过对“翻红”的歌手偶像的集体记忆实现身份认同建构主要体现在两个方面:一是在个体记忆中实现自我身份认同的建构,二是在集体记忆中实现群体身份认同的建构。“80后”群体的这种怀旧情结,是一种基于当下生存境遇焦虑的应对,是对青春时光“离去”与身份认同“归来”的隐喻,也是对现代性中自我身份认同分离的一种反抗和救赎。
The“Post⁃′80s”group is a group with historical particularity shaped by a specific era,and has its own intergenerational cultural appeal and values compared with the culture of its parents and descendants.As a unique cultural symbol in the adolescence of the“Post⁃′80s”group,singer idols bear the unique cultural memory of the group for the disappearing youth.The identity construction of the“Post⁃′80s”group through the collective memory of the“Re⁃popular”singer idol is mainly reflected in two aspects:one is to realize the construction of self⁃identity in the individual memory,and the other is to realize the construction of group identity in the collective memory.This nostalgic complex of the“Post⁃′80s”group is a response based on the anxiety of the current survival situation,a metaphor for the“departure”of youth and the“return”of identity,and also a resistance and redemption to the separation of self⁃identity in modernity.
作者
庞亮
杨洋
Pang Liang;Yang Yang
出处
《中国新闻传播研究》
2023年第2期225-237,共13页
China Journalism and Communication Journal
作者简介
庞亮,中国传媒大学研究员、博士生导师,山西传媒学院副院长;杨洋,北京市密云区融媒体中心主任播音员,中国传媒大学电视学院2020级广播电视学专业博士研究生
