摘要
山西为北魏前期国都的所在地,佛教尤为繁荣,民间开凿石窟佛像之风炽盛,造像题记蔚为大观。山西北朝佛教造像题记涵盖了北朝的北魏平城时期、北魏洛阳时期、东西魏时期以及北齐北周时期。造像题记呈现出“平画宽结”和“斜画紧结”不同的结体特征,具有极高的书法艺术价值,是中国书法魏碑体系中重要的组成部分。
Shanxi was the capital of the early Northern Wei dynasty,and Buddhism was particularly prosperous.The trend of folk excavation of Buddhist statues in caves was flourishing,and the inscriptions on statues were magnificent.The inscriptions on Buddhist statues of the Northern Dynasties in Shanxi Province cover the Northern Wei period,including the Pingcheng period,Luoyang period,the Eastern and Western Wei period,and the Northern Qi and Northern Zhou periods.The inscription on the statue presents different structural features,which has extremely high calligraphy artistic value and is an important component of the Chinese calligraphy Wei stele system.
作者
吴利国
杨州
WU Li-Guo;YANG Zhou(Shanxi Datong University,Shanxi Datong,037009)
出处
《云冈研究》
2023年第2期61-68,共8页
Yungang Research
基金
山西省哲学社会科学课题“山西北朝佛教造像题记艺术价值及启示研究”(2019B324)
关键词
山西
北朝
造像题记
书法风格
Shanxi
Northern Dynasty
statue inscriptions
calligraphic style
作者简介
吴利国(1978-),辽宁沈阳人,博士,讲师,研究方向:书法的理论与创作;杨州(1968-)山西晋城人,博士,教师,研究方向:古文字与书法。
