摘要
新乡村叙事是在中国式现代化进程中正在形成的文学现象。乡村社会生产方式变革及其引发的三次文化裂变使中国乡村叙事不断演变。在第三次文化裂变中,前两次文化裂变孕育的三种乡村叙事传统的历史语境、文化元素正在发生转场和变异。新乡村叙事的文化逻辑由二元对立演变为多元冲突与融合,并初步形成文化乡愁、生态关怀、新乡村人物形象书写等新的叙事支点,呈现出基于多元冲突—融合—共生的崇高美学、作为美学原则的“真”与非虚构策略等新的美学形态,以及重建叙事主体、探索多维叙事视角和拓展叙事对象时空范围等新的叙事范式。
The new rural narrative is a literary phenomenon that is taking shape in the course of Chinese-style modernization.The transformation of the mode of production in rural society and the concomitant three occurrences of cultural discontinuity mean that the Chinese rural narrative has evolved continuously.In the third cultural break,the historical context and cultural elements of the three rural narrative traditions produced by the first two occurrences of cultural discontinuity are undergoing transition and alteration;thus the cultural logic of the new rural narrative has evolved from binary opposition to multiple conflicts and integrations.In this process,new narrative fulcrums such as writings on cultural nostalgia,ecological concerns,and new images of rural figures have all begun to take shape,presenting new aesthetic forms including a lofty aesthetics based on multiple conflicts-integrations-symbiosis in which the“truth”serves as an aesthetic principle and a non-fictional strategy.The process has also given rise to new narrative paradigms such as the reconstruction of the narrative entity,exploration of multi-dimensional narrative perspectives,and expansion of the temporal and spatial scope of narrative topics.
出处
《中国社会科学》
CSSCI
北大核心
2023年第7期80-99,205-206,共22页
Social Sciences in China
作者简介
李震,陕西师范大学文学院教授(西安710119)。
