期刊文献+

中国现当代抒情诗如何推进大众化叙事?

How to Promote Mmodern and Contemporary Chinese lyric Poetry with Popular Narrative?
在线阅读 下载PDF
导出
摘要 突破抒情诗的抒情主义之后,中国现当代抒情诗里的大众化叙事就拥有了合法性。在白话新诗写实被泛化的背景下,五四抒情诗涂抹上了较重的叙事色彩;五四落潮后,中国现代抒情诗的大众化叙事明显弱化。而抗战抒情诗的大众化叙事成分越来越多,且篇幅有所增加,旨在召唤国魂、凝结国体和重建中国。新中国成立后,牧歌体的抒情诗、颂歌型和战歌型的政治抒情诗,以及新时期“不满”的政治抒情诗,一路高歌,且大众化叙事始终相生相伴。总之,无论是哪个时段抒情诗里的大众化叙事,都是吟咏时代事件,发挥了启蒙、革命、抗战、建设的文化软实力的巨大作用。 After breaking through the lyric poetry lyricism,the popular narrative in the modern and contemporary Chinese lyric poetry has the legitimacy.Under the background of the generalization of the realism of the vernacular new poetry,the May fourth lyric poetry are painted with a heavier narrative color;after the decline,the popular narrative of modern Chinese lyric poetry is obviously weakened.However,the popular narrative composition of the Anti-Japanese Warlyric poetry is more and more,and the length has been increased,aiming to summon the national soul,condensing the national body and rebuilding China.After the founding of the People's Republic of China,the pastoral lyric poetry,ode and war song political lyric poetry,as well as the"dissatisfaction"in the new period,sing all the way,and the popular narrative has always accompanied each other.In short,no matter which period the popular narratives in the lyric poems,they are real,specific and special,they are chanting events of The Times,playing a huge role in the cultural soft power of enlightenment,revolution,War of resistance and construction.
作者 杨四平 YANG Siping(School of Chinese Studies and Exchange,Shanghai International Studies University,Shanghai 200083,China)
出处 《昭通学院学报》 2023年第1期57-65,共9页 Journal of Zhaotong University
基金 国家社会科学基金项目(15BZW123)阶段性成果
关键词 中国现当代抒情诗 大众化叙事 时代 中国 Chinese modern and contemporary lyric poetry popular narrative time China real
作者简介 杨四平(1968—),男,安徽宿松人,教授,博士,博士生导师,主要从事中国现当代诗歌和中国现当代文学海外传播接受研究。
  • 相关文献

参考文献1

二级参考文献5

  • 1[美]布赖恩·麦克黑尔.《关于建构诗歌叙事学的设想》,尚必武等译,载《叙事》(中国版)第2辑,广州:暨南大学出版社,2010年,第85页.
  • 2陈绎曾.《文章欧冶(文筌)》,载王水照《历代文话》第2册,上海:复旦大学出版社,2007年,第1282页.
  • 3[俄]托尔斯泰.《什么是艺术?》,丰陈宝译,载伍蠡甫《西方文论选》下卷,上海:上海译文出版社,1979年,第432页.
  • 4James Phelan, "Why Aren' t Characters Part of the Narrative Communication Model? ",载《第三届叙事学国际会议暨第五届全国叙事学研讨会·会议宣读论文》,长沙,2011年10月,未刊稿,第1页.
  • 5谭君强.《堂璜》:作为叙述者干预的抒情插笔[J].云南大学学报(社会科学版),2009,8(3):68-75. 被引量:6

共引文献21

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部