摘要
古代墓葬作为死者的处所——一个多重愿望多中心的地下空间——是人们对于肉体死亡、灵魂何去何从的回答;作为研究对象,墓葬可以被看作为功能性与艺术价值并存的总体艺术,因此也必须作为整体来“阅读”。通过对保存完好的单个墓葬进行研究,将墓葬形制、图像器物、丧葬仪式和主体经验等丧葬语汇联系起来,把墓室空间看作一个具有象征性的、相互重合的多中心总体空间,进而重构古人对死后世界的美好想象。
The ancient tomb, as the place of the dead - an underground space of multiple wishes and centers, is the answer to the question of the death of the body and the fate of the soul;as an object of study, tombs can be seen as a total art with both functionality and artistic value, and therefore must also be “read” as a whole. Through the study of well-preserved individual tombs, the burial language such as burial form, image artifacts, funeral rites and subject experience is linked together, and the tomb space is regarded as a symbolic and overlapping polycentric overall space, thus reconstructing the ancient people’s beautiful imagination of the world after death.
出处
《艺术研究快报》
2023年第3期179-191,共13页
Art Research Letters
