摘要
在当前中国电影界 ,“利用本土文化资源发展民族电影”已经在理论上成为共识。但由于中国电影长期坚持精英文化立场 ,甚少关注中国电影和通俗文化的渊源关系。因此梳理考察通俗文化与中国电影的关系将有助于改变中国电影在创作题材架构上的不平衡 ,纠正中国电影在认识理论上对通俗文化传统的疏远轻视。本论文首先从历史的角度考察通俗文化和中国电影的关系 ,再从文化层面梳理通俗文化在中国电影中的形态和地位 ,进而探讨在全球化语境中如何对通俗文化资源进行更新和现代性超越。
In the current Chinese filmdom,' make use of the native culture resources development race movie' become common ground already and theoretically.But because the Chinese movie is long- term to insist elite culture position, pay attention to the Chinese movie very few with popular and cultural origin relation.Therefore comb the last unbalance for investigating popular culture and cinematic relation in China will is beneficial to Chinese movie in changes at artistic topic configuring, rectify the Chinese movie at know to despise to the traditional alienation in popular culture theoretically.This lesson investigates the popular culture from the historical angle first with the cinematic relation in China, combing the popular culture from the culture level again in Chinese appearance in the movie with position, then inquiry into in the world turn language how to proceed to renew to the popular culture resources to overstep with the modernity.It comb the Chinese movie in earlier period in this collection of essays to popular and cultural according to save the relation, exactly this kind of combination became the early and prosperous situation of the Chinese movie history, winning for the Chinese movie the one exist the space, this kind of choice strategy should provide a kind of possible foreground for the Chinese movie of today.
出处
《福建师范大学学报（哲学社会科学版）》
北大核心
2004年第1期106-111,共6页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition
关键词
通俗文化
中国电影
依存
popular culture
Chinese movie
according to save
