摘要
元杂剧里的“神仙道化”剧表面看来充满着看破红尘的消极思想 ,实际上其内在的精神正是展现了文人从传统的儒学所赋予他们的“修齐治平”的积极进取精神难以实现时 ,无奈地转入到道家的陶醉自然的心理历程。但这毕竟是文人在现实的无奈下营造的虚幻的精神家园 ,他们的内心实际仍然难以割舍儒学赋予他们的社会责任感。他们处于世俗社会的强烈吸引与幽静山林的召唤、人生失意与自我人格的超脱的两难境地中 ,这便是“神仙道化”剧的思想意蕴。
On the surface,the Yuan Dynasty drama of Taoist immortals in full of disillusionment of human society,but in reality,It depicts the minds of those scholars who fail to reach their Confucious ideals and reluctantly convert to Taoism which emphasizes revelment in Nature.There scholars are actually torn between the responsibility of human society and serenity of Nature,and between frustration and self-transcendance.
出处
《中国文学研究》
北大核心
2004年第1期69-74,共6页
Research of Chinese Literature
