摘要
第一次"文代会"确立了解放区文艺在全国文艺界的领导位置,延安时期"为人民大众"的文艺样式与实践活动在全国范围内推广。本文通过对"中国民间文艺研究会"(简称"民研会")成立及其所组织的民间文艺资料搜集与整理、创办《民间文艺集刊》《民间文学》以及编辑相关丛书等学术脉络、学术沿承的梳理、总结,阐述了它对1949—1966年民间文艺"多民族格局"的建构以及民间文学基本话语"人民性""思想性"等形成的导引与规范。
The first“literary congress”established the leading position of the literary arts in the Liberated Areas in the national literary and art circles.The literary practice in Yan’an period was greatly valued,and all the literary and artistic work was incorporated into the government work system.This article through the establishment of the“Chinese Folk Literature and Art Association”and its collection of folk literature and art materials,the establishment of“folk literature collection”,“folk literature”and other academic journals and academics of folk literature,combs and summarizes its guidance and norms on the construction of the multi-ethnic pattern of folk literature and art from 1949 to 1966 and the basic discourse of the folk literature,“people’s nature”and“ideology”.
作者
毛巧晖
Mao Qiao-hui(Institute of Ethnic Literature,Chinese Academy of Social Sciences,Beijing,100732)
出处
《中央民族大学学报（哲学社会科学版）》
CSSCI
北大核心
2019年第1期168-176,共9页
Journal of Minzu University of China(Philosophy and Social Sciences Edition)
基金
国家社会科学基金重大项目"中国少数民族神话数据库建设"(项目编号:17ZDA161)
国家社会科学基金年度项目"白族语叙事长诗民间手抄本搜集
整理和研究"(项目编号:16BZW185)阶段性成果
关键词
“民研会”学术组织
学术史
民间文学
Chinese Folk Literature and Art Association
academic organization
intellectual history
folk literature
作者简介
毛巧晖(1975-),女,山西襄汾人,中国社会科学院民族文学研究所研究员,主要研究方向:中国民间文学学术史。
