摘要
20世纪80年代以来中国学者对接受史模式作了大量的探索:革新"集注"、"集说"传统,实现传统学术方法的现代转型;以新颖的视野开辟学术生长点;接受史与创作史互补,建构文学史体系的现代格局;丰富学术思维,接受史意识成为学者的自觉意识。接受史研究是为了沟通古今审美经验,让古典走向现代。接受史作为与创作史前后衔接的现代文学史格局中的新维度,同"辨章学术,考镜源流"而更紧邻文学史料学的学术研究史,在主体范围、对象性质、功能任务和研究态度等方面,均有实质区别。
The study of the history of literary reception has undergone three stages generally in China since 1980s: the introduction and assimilation of reception-aesthetics, attempt at the study of reception history, and plural development.Chinese scholars have some new discoveries in the paradigm of the reception history as the following: realizing the modernization of the traditional academic methods; opening up new academic growth from new academic prospective; constructing a new literary history system by the combination of reception and creation history; enriching academic thinking and helping set up consciousness of reception history. The history of literary reception modernizes the classical aesthetic experience. As a new aspect in modern literature history, it has essential differences from the history of academic study in subjects, the qualities of the objects, functions and tasks, and the researching attitudes.
出处
《安徽师范大学学报（社会科学版）》
2003年第5期534-543,共10页
Journal of Anhui Normal University(Hum.&Soc.Sci.)
关键词
文学接受史
范式
history of literary reception
paradigm
