摘要
文章以1949年—2000年的中国电影发展历史为线索,考察各个时期电影的时代面貌、文化特征和修辞系统,勾画了新中国电影从一元化的政治电影模式、多元化的艺术电影模式向大众化的产业电影模式的转换过程。文章认为,新中国电影的概念将被中国新电影所代替,成为新的社会目标和组成部分,不仅为这一目标提供文化想象,而且也提供新经济生长点。
This paper, with the development of Chinese cinema from 1949 to 2000, analyzes the temporal appearances, the cultural features and the rhetorical devices. Meanwhile it portrays the process of the transformation of Chinese cinema from monistic political mode, to pluralistic artistic mode, to popular industrial mode. The author thinks, the new Chinese cinema will replace 'the cinema in new China', become one of the components of the new society objectives, and provide the objectives with cultural imaginations, and with new starting points of economic growth as well.
出处
《清华大学学报（哲学社会科学版）》
CSSCI
北大核心
2003年第5期38-44,共7页
Journal of Tsinghua University(Philosophy and Social Sciences)
