摘要
初唐后期和盛唐前期是唐代莫高窟装饰图案发展的鼎峰阶段,藻井图案风格从初唐前期的生动活泼、爽朗明快转变为盛唐的繁华富丽、庄重严整,与窟内壁画和整体气氛相得益彰。这一阶段莫高窟图案进一步向世俗化织物特征转向,藻井形制从"建筑式"向具有世俗色彩的"华盖式"演变。伴随这一进程,藻井图案中的宝相花独占鳌头,宝相庄严,呈现一派盛大辉煌的大唐气象。与中原比较,既有同步性也有差异性,西风劲吹,却不失中原文化主体,在特定历史背景下,形成中西合璧、浑厚大气、瑰丽多变的文化奇观。
In the late period of the early Tang Dynasty and the early period of the prosperous Tang Dynasty, it was the peak stage of the development of the decorative pattern of the Mogao Grottoes in the Tang Dynasty. During this period, the Caission Cellings Patterns of Mogao Grottoes changed from being vivid, lively and refreshing in the early Tang Dynasty to being splendid and solemn of the prosperous Tang Dynasty, which complement the overall atmosphere. At this stage, the Mogao cave patterns were further turned to the characteristics of secularized fabrics. The shape of the algae well evolved from 'architectural' to'worldly' with a secular color. With this process, the Bao xiang flowers dominated, and the treasures were solemn. It presents a grand and glorious atmosphere of Tang Dynasty. Compared with the Central Plains, it has both synchronicity and difference. The West Wind was blowing, but the Central Plains culture was not lost. Under the specific historical backgrounds, the cultural wonders were formed with the combination of Chinese and Western cultures, and magnificent changes.
作者
陈振旺
樊锦诗
Chen Zhenwang;Fan Jinshi
出处
《艺术设计研究》
CSSCI
2019年第1期16-23,共8页
Art & Design Research
基金
教育部人文社会科学重点研究基地重大项目(项目编号:15JJD770012)的阶段性成果
关键词
藻井形制
宝相花
藻井图案特征
世俗化
the Caission Cellings Forms
the Bao xiang flowers
the characteristic of the Caission Cellings Patterns
Secularization
