摘要
黔东南地区传统蜡染技艺是我国蜡染技艺的重要组成部分,苗族蜡染是其典型代表,具有鲜明的民族特色和巨大的艺术价值、经济价值。黔东南地区蜡染被称之为“无字史书”,不仅体现了当地人民的文化传统、生活方式和人文内涵,而且对我国西南少数民族传统艺术进程影响深远。当前面对黔东南蜡染技艺图样缺乏系统整理、技艺传承后继无人、文旅过度开发等问题,应采用政府加大保护力度、创新蜡染图样、培养蜡染传承人等措施护航传统蜡染技艺的发展。
The traditional batik craftsmanship in the Qiandongnan Region is an important part of China's batik techniques,with Miao batik as a representative example,boasting distinctive ethnic characteristics and significant artistic and economic value.Qiandongnan batik not only embodies the local people's traditional culture,lifestyle,and humanistic connotations,known as a"history book without words",but also exerts a profound influence on the development of traditional arts of ethnic minorities in southwest China.Facing current challenges such as unsystematic collation of batik patterns,a shortage of inheritors,and excessive development of cultural tourism,measures should include strengthened government protection,innovation in batik patterns,and cultivation of batik inheritors to safeguard the development of traditional batik craftsmanship.
作者
董政宏
DONG Zhenghong(School of Fine Arts,Huaibei Normal University,Huaibei 235000,China)
出处
《安阳工学院学报》
2025年第5期110-114,共5页
Journal of Anyang Institute of Technology
关键词
传统蜡染技艺
苗族蜡染
非遗传承
发展创新
traditional batik craftsmanship
Miao batik
ICH inheritance
development and innovation
作者简介
董政宏(1992-),男,满族,辽宁凤城人,博士,讲师,主要研究方向为油画理论与实践创作。
