摘要
诗话是中国古代独具特色的论诗之体,诗话自序可为其特性生成的讨论提供线索。第一,诗话作者在创作时多处于“甘老林泉”的时空背景,老而有成的人生审美境界、退隐林泉的自然审美体验,形成了诗话作者特殊的诗歌审美境界和言诗方式。第二,诗话作者在创作时所拥有的“不挂一丝”审美心胸,使其以真情、真乐与诗相遇,获得诗之真意、真境;而诗话作者的“感旧之思”,使其在创作时将深刻的人生体验蕴含于诗话之中,因此这一理论性著作具有审美情感诗化的形态特征。第三,诗话作品多形成于胜游与对话中,这种不拘于一人一时一地的成书方式,使得诗话具有了包容性的内容和灵便的体例。但在这种“轻松”、“活泼”、“自由”、“随意”、“灵便”的论诗之体背后,暗藏着诗话作者对于世事的洞明,对于人生悲欢离合的体验,故诗话之情、之意又是隐约、含蓄的。
Shi-hua(poetry talks)is a unique Chinese genre of poetic criticism.Its prefaces illuminate how its characteristics formed.First,authors often wrote in tranquil natural settings,with mature aesthetic insights and secluded experiences shaping a distinctive poetic aesthetic realm and the way of interpreting peotry.Second,an aesthetic mindset of“being free from all distractions”allowed genuine emotional encounters with poetry,while reflective nostalgia infused personal experience into criticism,thus endowing this theoretical work with the formal characteristic of poeticizing aesthetic emotions.Third,shi-hua often emerged through gatherings and dialogues rather than individual composition,endowing it with inclusive content and flexible structure.However,beneath this seemingly“relaxed”,“lively”,“free”,“casual”,and“flexible”form of commentary lies the authors’profound understanding of worldly affairs and their experiences of life’s joys and sorrows,making the emotions and meanings within Shi-hua subtle and implicit.
作者
肖砚凌
Xiao Yanling(School of Chinese Language and Literature,Sichuan Normal University,Chengdu,Sichuan,China)
出处
《四川师范大学学报(社会科学版)》
北大核心
2025年第5期168-175,207,共9页
Journal of Sichuan Normal University(Social Sciences Edition)
基金
国家社会科学基金后期资助项目“全唐五代诗话整理与研究”(18FZW051)的阶段性成果。
关键词
诗话自序
诗话特性
诗话创作背景
诗话成书过程
诗歌审美境界
Shi-hua preface
Shi-hua characteristics
Shi-hua creative context
Shi-hua composition process
poetic aesthetic realm
作者简介
肖砚凌,女,四川德阳人,文学博士,四川师范大学文学院副教授、硕士生导师,研究方向为中国古代文论、中国古典美学,E-mail:373650229@qq.com。
