摘要
关中地区北朝道教造像碑是多民族融合的独特见证。本文基于40余通造像碑的考古材料,从图像符号、服饰文化与信仰实践三个维度,揭示北朝多民族文化交融的路径与机制。研究表明,北朝民族交融并非单向的汉化或胡化,而是基于物质文化的在地化重构与信仰认同的整合,这一进程为隋唐多元一体的文化格局奠定了基石。
The Taoist statues and stele from the Northern dynasties in the Guanzhong region serve as a unique testament to the convergence of Silk Road civilizations and ethnic integration.Utilizing over 40 archaeological specimens,this paper elucidates the pathways and mechanisms of multi-ethnic cultural integration during the Northern dynasties through three dimensions:iconographic symbolism,attire culture,and belief practices.The findings indicate that ethnic integration in the Northern dynasties was a complex phenomenon grounded in the local reconstruction of material culture and the synthesis of belief identities.This process laid the foundation for the multicultural patterns observed in the subsequent Sui and Tang dynasties.
作者
王倩
程琳
WANG Qian;CHENG Lin(School of Archaeology and Cultural Heritage,Zhengzhou University,Zhengzhou Henan,450000;School of Archaeology and Museology,Sichuan University,Chengdu Sichuan,610000)
出处
《云冈研究》
2025年第2期1-7,共7页
Yungang Research
基金
2022年河南省社科青年项目“北朝佛教造像碑的整理与研究”(2022CKG004)阶段性成果。
关键词
北朝
关中
道教造像碑
民族交融
Northern dynasties
Guanzhong region
Taoist steles
ethnic integration
作者简介
王倩(1988-),女,河南许昌人,博士,讲师,研究方向:佛教考古、汉唐考古;程琳(2002-),女,河南焦作人,在读硕士,研究方向:宗教考古。
