摘要
作为一种革命艺术,红色版画的价值及其作用均建立在民众广泛认同的基础之上。本文以1937—1949年解放区红色版画为研究对象,从现实基础、认同基础、语言基础的角度探讨红色版画的认知基础,从认知场、舆论场的角度探讨红色版画的认知场域,并在此基础上探讨红色版画的双重螺旋式认同逻辑。
As a revolutionary art form,the value and function of red woodcut arts are built upon the broad recognition by the people.This paper takes the red woodcuts in the liberated areas from 1937 to 1949 as the research object,explores the cognitive foundation of red woodcut art from the perspectives of the realistic basis,the basis of recognition,and the linguistic basis of public recognition;it examines the cognitive fields of red woodcut art from the perspectives of the cognitive field and the public opinion field;and finally discusses the dual helix-likerecognition logicof redwoodcutart.
出处
《美术观察》
北大核心
2025年第7期59-61,共3页
Art Observation
关键词
红色版画
人民群众
认同
革命艺术
red woodcut prints
themasses
recognition
revolutionary art
作者简介
何云霞,重庆幼儿师范高等专科学校美术学院副教授。
