摘要
近年来随着国潮审美的兴起,中式插花也迎来了新发展。我国古代插花始自汉魏,至唐代日趋成熟,在宋代获得极致发展,形成了一种具有典范形态和理论自觉的中式插花美学。《听琴图》中的插花是这一美学精神的理想呈现,通过对其中插花语素、语境和语用的分析,可以见出宋代插花于深简典雅之中所寄寓的儒道交融、天人相和的审美理想。就插花本身来看,“如画”强调插花的形式层面,“如真”追求插花的哲理层面,“如生”重在插花的功能层面,三者分别指向宋代插花美学中的美、真、善三个维度。古代插花美学曾一度衰落,在当代生态文明的语境之下,通过与古今东西的对话和比较,中式插花美学将会得到更好的传承与创新性发展。
Chinese flower arrangement has seen new development with the rise of traditional Chinese aesthetics in recent years.Chinese flower arrangement began in Han and Wei dynasties,matured in Tang dynasty,and developed to the extreme in Song Dynasty.Aesthetics of Chinese flower arrangement with exemplary forms and theoretical consciousness were thus formed during this process.The flower arrangement in The Painting of Listening to Qin is an ideal presentation of this aesthetic spirit.By analyzing the morpheme,surroundings and pragmatics of the flower arrangement,we can see the aesthetic ideal combining Confucianism and Taoism and the harmony between heaven and human beings.It is full of the aesthetic spirits of picturesque,truthfulness and vigorousness.Specifically,picturesque emphasizes the form of flower arrangement,truth focuses on the divine principle of flower arrangement,while vigorousness reflects the joy of flower arrangement.The three aspects stand respectively for the three dimensions of beauty,truth and goodness in the aesthetics of flower arrangement.Through the communication and comparison between ancient,modern,western and eastern aesthetic spirits of flower arrangement,traditional Chinese flower arrangement will further develop in contemporary ecological civilization.
出处
《中国美学》
2024年第2期175-195,共21页
Chinese Aesthetics
基金
国家社会科学基金项目“宋代植物美学思想研究”(19BZX131)的阶段性成果
关键词
宋代
《听琴图》
插花美学
如画
如真
如生
Song Dynasty
The Painting of Listening to Qin
Flower Arrangement
Picturesque
Truthfulness
Vigorousness
作者简介
丁利荣,湖北大学文学院教授,博士生导师,主要研究方向为中国美学与古代文论。
