摘要
在诺贝尔文学奖获得者韩江的多部作品中贯穿着相似的意象,这一颇具特色的意象网络又以植物意象为整体创作的核心之一。不同题材作品中的植物意象指代渐趋丰富,在其诗性语言风格中由形象化虚构转为抽象化隐喻。植物意象成为不同边缘群体生存困境的独特表达,也成为与暴力、语言乃至理性等逻各斯中心主义相悖的自然符号。韩江植物意象书写与西方变形文学传统形成复杂的对话,她有意夸大植物的局部特征以及渐变细节,其中人向植物的方位转变蕴含着微妙的道德隐喻,折射出不同主体所面临的普遍困境。同时,植物意象的建构与“天人合一”为代表的东方自然伦理产生呼应,通过弥合主客体之间的二元对立,在认知层面形成对人与植物生命界限的超越,以非对抗性、和谐的姿态向自然与世界进一步敞开,在生态话题上提供了一种极具东亚特色的新思路。
metaphor through her poetic linguistic style.Plant imagery has become a unique expression of the plight of different marginalized groups,as well as a symbol of resistance against violence,and the language and even rationality implied in logocentrism.In Han Kang's works,plant imagery engages in a complex dialogue with the Western tradition of metamorphic literature by amplifying the partial features,with details presented in gradients.The transformation from humans to plants carries subtle moral metaphors,miroring the universal dilemmas faced by diverse subjects.The construction of plant imagery resonates with the Eastern natural ethics represented by the"Unity of Heaven and humanity".By bridging the dualistic opposition between subject and object,it transcends cognitive boundaries of human-plant life distinctions,presenting an ecological vision that embraces nature and the world through non-confrontational harmony.This approach of depicting the plant imagery offers a distinctively East Asian perspective in ecological discourse,proposing innovative pathways for reimagining interspecies relationships.
出处
《外国语文》
北大核心
2025年第3期84-93,共10页
Foreign Languages and Literature
关键词
韩江
植物意象
变形
自然伦理
天人合一
Han Kang
plant imagery
metamorphosis
natural ethics
unity of heaven and humanity
作者简介
于航,女,南开大学文学院博士生,主要从事比较文学与英美文学研究。
