摘要
本文通过对李庆本《跨文化艺术美学》一书的解读,认为其从跨文化角度,就世界不同文化之间的关系来看待人类文化的发展,在知彼知己中建构现代文化主体性,倡导“普遍的多元主义”,具有重要的现代文化理论价值。此外,本文对相关的“本源与本体”、“术语与话语”、比较文学定义、语言特质与东西方文学,以及当下与未来人类文化所面临的困境等内容,提出了自己的看法。
With the interpretation of Li Qingben’s Cross-cultural Aesthetics of Art,this essay stresses the cultural theoretical value of the book as it looks at the development of human cultures from a cross-cultural perspective based on the relationship among different cultures in the world,which serves to construct modern cultural subjectivity in the context of knowing the self and others on the ground of“universal pluralism”.In addition,it also sheds light on relevant issues such as“origin and ontology”,“terminology and discourse”,the definition of comparative literature,language characteristics and Eastern and Western literature,and the dilemmas faced by human culture at present and in the future.
出处
《中国文艺评论》
2025年第5期102-112,I0005,共12页
China Literature and Art Criticism
基金
2023年度国家社科基金艺术学重大项目“戏剧与影视评论话语体系及创新发展研究”(项目批准号:23ZD07)的阶段性成果。
关键词
《跨文化艺术美学》
现代文化主体性
本源与本体
术语与话语
比较文学
人类文化困境
Cross-cultural Aesthetics of Art
modern cultural subjectivity
origin and ontology
terminology and discourse
comparative literature
dilemma faced by human culture
