摘要
截至目前,陶埙的研究成果主要涉及材质、形制、工艺、文化、音乐考古等方面的内容。结合最近几年的研究成果可以发现,当前陶埙的研究主要基于早期的考古研究资料,在音乐考古学及陶埙的改良传承两大方面有所扩充。通过分析、归纳和总结,探寻陶埙当前的发展现状与趋势,能够进一步阐明陶埙是目前已知唯一流传至今且仍然具有独特生命力的陶瓷类吹奏乐器。陶埙的发展伴随着中国陶瓷手工业的进步,在当前非物质文化遗产保护的背景下,陶埙具有无可替代的历史文化价值,值得进一步的发展与探究。
Contemporary research on Tao Xun mainly covers aspects such as materials,shapes,manufacturing techniques,culture,and music archaeology.Based on the research findings in recent years,this paper discovers that the current research on Tao Xun is mainly grounded in the early archaeological research materials,with expansions in two major aspects:music archaeology and the improvement as well as inheritance of Tao Xun.Through analysis,induction and summarization,this study probes into the current development status and trends of Tao Xun,further expounding that Tao Xun is the only known ceramic wind instrument that has been passed down to this day and still retains unique vitality.The development of Tao Xun has accompanied the progress of the Chinese ceramic handicraft industry.In the current context of intangible cultural heritage protection,Tao Xun has irreplaceable historical and cultural values and is worthy of further development and exploration.
作者
朱婷
余磁
ZHU Ting;YU Ci(China Conservatory of Music,Beijing 100020,China;China Light Industry Ceramics Research Institute,Jingdezhen 333000,China)
出处
《中国陶瓷》
北大核心
2025年第5期80-83,共4页
China Ceramics
关键词
陶埙
陶瓷乐器
Tao Xun
Ceramic instrument
作者简介
朱婷(1989-),女,安徽黄山人,博士,研究员。研究方向:音乐史、音乐教育。E-mail:406060941@qq.com。
