摘要
2024年中国艺术批评现象呈现出复杂、多样的特点。人工智能艺术正在进入具身智能快速发展阶段,具身智能介入艺术批评现实的可能性正在增加。新媒体艺术批评从文字艺术批评形式更多地转向视频艺术批评形式,“评论区”成为一种值得关注的批评现象,批评主体表现为众声的喧哗、身份的模糊和翻转的可能,视频艺术批评具有商业化、娱乐化、套路化和主观化等特点。中国艺术学理论学会艺术评论专委会的成立有利于积极地推动艺术学学术组织、艺术学理论学科建设、艺术学及艺术批评研究。批评界更加注重对青年批评家的培养、艺术批评的未来发展及数字时代艺术批评发展新趋势的研究。艺术批评学术研究现象主要表现为对艺术批评基础理论、各分支学科的关注和探讨,新媒介、数字媒介语境下的艺术批评新变化、新建构研究是一个重要的研究领域。自媒体艺术批评产生的新议题、新课题等值得学术界继续深入探讨。
In 2024,the phenomenon of art criticism is complex and diverse in China.AI art is entering a stage of rapid development of embodied AI.As this evolution takes place,the likelihood of embodied AI intervening in the reality of art criticism is increasing.New media art criticism has shifted from traditional textual analysis to video-based criti-cism.The comment section has become a valuable research object.The subject of criticism is characterized by loud expressions,ambiguous identities,and the possibility of inversion.Video art criticism encompasses features such as commercialization,entertainment,formulaic approaches,and subjectivity.The establishment of the Art Criticism Special Committee of the Chinese Society of Art Theory is beneficial for actively promoting the organization of art academia,the construction of art theory disciplines,and the research of art and art criticism.The critical community is in-creasingly focusing on nurturing young critics while considering the future development of art criticism and examining new trends in this field in the digital age.The academic research phenomenon in art criticism primarily reflects an in-terest in basic theories and various branches of the discipline.A significant area of research involves exploring the new changes and constructions within art criticism in the context of new media and digital platforms.Additionally,the new issues and topics emerging from self-media art criticism need further in-depth exploration by the academic community.
作者
李若飞
LI Ruo-fei(School of Painting,Hubei Institute of Fine Arts,Wuhan,Hubei 430205)
出处
《艺术百家》
北大核心
2025年第1期74-81,共8页
Hundred Schools In Arts
基金
2018年度国家社科基金艺术学重大项目“当代中国艺术体系研究”(项目编号:18ZD03)阶段性成果
2023年度湖北美术学院科研启动经费项目“世界艺术体系与中国水彩画的历史建构”(项目编号:KYQDJ-2023-0051)阶段性成果之一。
作者简介
李若飞(1981-),男,汉,河南平舆人,艺术学博士,湖北美术学院绘画学院副教授,硕士生导师。研究方向:艺术批评,艺术理论,美术史。
