摘要
本文选取《出走的决心》《我经过风暴》《好东西》三部中国女性主义电影与《芭比》《某种物质》《还有明天》等外语影片为研究对象,通过主题聚焦、叙事策略、文化生成机制三个维度的对比分析,探讨中西方女性主义电影的差异化表达路径。研究发现:中国电影以现实主义手法聚焦本土社会结构性压迫,强调代际关系与集体伦理对女性主体的规训;西方电影则通过符号化隐喻与类型化叙事,在全球化语境中解构性别权力秩序,凸显个体觉醒的哲学意义。两者差异根植于文化传统的深层逻辑,但差异化的表达实践为女性主义理论的跨文化对话提供了互补性视角。
Three Chinese feminist films“Like a Rolling Stone”“Her Story”,“The Woman in the Storm”and and other foreign language films“Barbie”“The Substance”and“There is Still Tomorrow”are selected as the research objects,through the theme focus,narrative strategy,culture generation mechanism comparative analysis of the three dimensions,the differentiation of Chinese and western feminist film expression path are discussed.It is found that Chinese films focus on the structural oppression of local society with realism,emphasizing the inter-generational relations and the discipline of female subjects,emphasizing the order of gender power and highlight the philosophical significance of individual awakening.The differences between the two are rooted in the deep logic of the cultural tradition,but the expression and practice of the differentiation provides a complementary perspective for the cross-cultural dialogue of the feminist theory.
作者
黄晨
HUANG Chen(Shaanxi Institute of Technology,Xi’an Shaanxi 710300)
出处
《陕西国防职教研究》
2025年第1期46-48,共3页
Shaanxi Guofang Vocational Education Research
关键词
女性主义电影
跨文化比较
结构批判
符号解构
在地化叙事
Feminist films
Cross-culture compassion
Structural criticism
Symbolic deconstruction
Local Narratives
作者简介
黄晨(1990-),男,陕西西安人,副教授,主要从事数字媒体与影视的教学研究工作。
