摘要
本文探讨美术馆“典藏活化”展览的叙事建构与展陈实践,分析其在满足公众日益增长的精神文化需求、拓展和发挥国家艺术藏品服务于人民群众的功能落点。文中概述了美术馆典藏研究作为叙事建构的基础与“典藏活化”展览的紧密关联,强调两者在实践中的转化与互动。结合实践案例,探讨叙事策略对展览效果的影响,包括策展思路、叙事架构、展览线索、主题设定及内在结构优化等方面,对综合场域时代“典藏活化”展览策划的发展方向和路径亦有基于实例的推导和观点阐释。
This paper explores the narrative construction and exhibition practices of“collection revitalization”exhibi⁃tions in art museums,analyzing their role in meeting the public’s growing spiritual and cultural needs and enhancing the function of national art collections in serving society.It provides an overview of art museum collection research as the foundation for narrative construction and its close connection with“collection revitalization”exhibitions,emphasi⁃zing their transformation and interaction in practice.Combined with practical cases,the paper examines the impact of narrative strategies on exhibition outcomes,including curatorial concepts,narrative structures,exhibition cues,theme setting,and the optimization of internal structures.It also offers insights and deductions on the development directions and pathways for planning“collection revitalization”exhibitions in the context of the current era,grounded in practical examples.
作者
王莉萍
WANG Li-ping(Jiangsu Provincial Museum of Art,Nanjing,Jiangsu 210018)
出处
《艺术百家》
CSSCI
北大核心
2024年第6期139-144,共6页
Hundred Schools In Arts
关键词
典藏活化
叙事建构
展陈实践
Collection Revitalization
Narrative Construction
Exhibition Practices
作者简介
王莉萍(1966-),女,汉,江苏常州人,江苏省美术馆二级美术师。研究方向:文化理论研究,展览策划,绘画创作。
