摘要
云冈石窟装饰纹样作为北魏佛教艺术的典型代表,其深厚的文化底蕴与独特的美学特征为现代文创设计提供了丰富的资源。在文创设计中,传统纹样的简约化与现代化重构是关键路径,但需避免因过度简化而导致的文化异化。通过提取核心文化符号并结合现代设计语言,文创产品在文具、服饰和生活用品等领域实现了传统与现代的融合。然而,设计中仍需平衡文化价值与市场需求,并加强知识产权保护,以确保文化符号的准确传递与合理利用。未来,数字化技术与跨界合作将进一步推动云冈装饰纹样的国际化传播与创新应用。
The decorative patterns of the Yungang Grottoes,as a typical representation of Northern Wei Buddhist art,offer rich cultural connotations and unique aesthetic features that provide abundant resources for modern cultural and creative design.In such design,the simplification and modernization of traditional patterns are key approaches,but care must be taken to avoid cultural alienation caused by excessive simplification.By extracting core cultural symbols and combining them with modern design language,cultural and creative products have achieved a fusion of tradition and modernity in areas such as stationery,clothing,and daily goods.However,designers must still balance cultural values with market demands,while strengthening intellectual property protection to ensure the accurate transmission and proper use of cultural symbols.In the future,digital technology and cross-industry collaboration will further promote the international dissemination and innovative application of Yungang decorative patterns.
作者
王晨
WANG Chen(Yungang Academy,Datong Shanxi,037000)
出处
《山西大同大学学报(社会科学版)》
2025年第1期156-160,共5页
Journal of Shanxi Datong University(Social Science Edition)
基金
山西省文物局2024年度文物科研课题重点项目“云冈石窟装饰纹样研究——以山岳及动物纹样为例”(2024KT07)。
关键词
云冈石窟
装饰纹样
文创设计
文化传承与创新
传统纹样现代化
Yungang Grottoes
decorative motifs
cultural and creative design
cultural heritage and innovation
modernization of traditional patterns
作者简介
王晨(1972-),女,山西大同人,硕士,文博副研究馆员,研究方向:美术学。
