摘要
从《古炉》开始,贾平凹进入对中国历史的书写,面临着如何突破当代历史叙述的局限和调动乡土写作经验来构造独特的书写方式的叙述困境。为此作者不断地进行调适和实验,在《古炉》中以个人记忆召唤民族-国家的集体记忆,通过民间伦理的“失效”表达个人历史观念,但难以摆脱“述史”的困境。《老生》则横跨百年中国近现代史和当代史,强化了对历史的批判,同时召唤中华民族原初记忆来解释历史事变,体现了“物本”观念的萌芽。《山本》则形成完整的“物本”体系,民间记忆全方位化入历史进程,形成独特的“述史”方式,为当代中国历史书写提供了有益的借鉴,同时也标志着贾平凹小说创作抵达了新的高度。
Starting with Old Kiln,Jia Pingwa embarks on the writing of Chinese history,facing the narrative dilemma of how to break through the limitations of contemporary historical narratives and mobilize the experience of local writing to construct a unique writing style.To this end,he continuously adjusts his writing.In Old Kiln,he evokes the collective memory of the nation through personal memory,expressing personal historical concepts through the"failure"of folk ethics,but finds it difficult to escape the dilemma of"historical narration".The Oldest Son spans a century of modern and contemporary Chinese history,intensifying the critique of history while summoning the original memory of the Chinese nation to interpret historical events,reflecting the germination of the"object-oriented"concept.Shanben forms a complete"objece-oriented"system,where folk memory is fully integrated into the historical process,creating a unique"historical narration"style,providing a valuable reference for contemporary Chinese historical writing,and also marking a new height in Jia Pingwa′s novel creation.
作者
金宇恒
JIN Yuheng(School of Liberal Arts,Liaoning Normal University,Dalian 116029,China)
出处
《西安航空学院学报》
2024年第6期46-52,共7页
Journal of Xi’an Aeronautical Institute
关键词
贾平凹
长篇小说
历史书写
“物本”观念
Jia Pingwa
long novels
historical writing
"objece-oriented"Concept
作者简介
金宇恒(2000-),男,山西运城人,硕士研究生,主要从事中国现当代文学研究。
