摘要
本文论述了木刻作品《袁庚·最美奋斗者》创作的缘起和过程,认为新时代的版画创作需要敏锐捕捉时代气息,从中提炼出具有时代特色的元素和创作主题,为艺术创作不断注入新的活力;并论及版画创作者如何建构科学的方法论和个性化版画语言,以更为博大的视野和人文关怀将艺术创作与时代紧密相连。
This article discusses the origin and process of creating the woodcut Yuan Geng·the Most Beautiful Fighter,and believes that in the creation of prints in the new era,artists should grasp the spirits of the times and extract elements and themes with the characteristics of the times,so as to constantly inject new vitality into artistic creation.It also discusses how print artists can develop scientific methodology and personalized print language,and build a close connection between artistic creation and the times with a broader vision and humane care.
作者
宋光智
Song Guangzhi(Print Art Committee,China Artists Association;Guangzhou Academy of Fine Arts)
出处
《美术》
CSSCI
北大核心
2024年第12期47-49,共3页
Art Magazine
关键词
版画语言
时代叙事
袁庚
方法论
print language
the narrative of the times
Yuan Geng
methodology
作者简介
宋光智,中国美协版画艺委会主任,广州美术学院党委副书记、教授。
