摘要
“花儿”是广泛流行于我国青海、甘肃、宁夏、新疆、陕西五省区汉族、回族、藏族、土族、东乡族、保安族、撒拉族、裕固族、蒙古族9个民族共生共创共享的民歌;是西北地区多民族长期交往交流交融的文化结晶;是中华民族共同体意识在传统音乐中的最佳范例。因而对其“民歌源流”和“生态文化”进行更为深入、全面调研的目的与意义亦在于此。本文结合此次及以往的实地调研展开论述。
Hua'er is a folk song which is widely popular in five provinces of China,namely Qinghai,Gansu,Ningxia,Xinjiang and Shaanxi,where,it is co-created and shared by nine ethnic groups:Han,Hui,Tibetan,Tu,Dongxiang,Bao'an,Sala,Yugu and Mongolia.It is the cultural crystallization of the long-standing exchanges and blending of multi-ethnicities in the Northwest Area;it is the best example of the sense of the community of the Chinese nation in terms of traditional music.Therefore,the purpose and significance of conducting a more in-depth and comprehensive research on the origin and ecological culture of this music can be seen here.In this paper,we will discuss based on this and previous fieldworks.
基金
国家社科基金艺术学重大项目“中华民族共同体认同与各民族音乐交融共生研究”(项目编号:22ZD11)阶段性成果。
关键词
西北“花儿”
实地调研
资料爬梳
源考流辨
几点思考
再留余论
Hua'er in the northwest of China
fieldwork
material study
analysis of origin and development
several thoughts
leave some further discussion
作者简介
和云峰(桑德诺瓦),博士,中央音乐学院研究员,博士研究生导师。
