摘要
新见出土乐类文献中的术语用词具有独特意义,需要结合各方面学科综合研究。上下、大小、遣反等修饰词或与不同乐器特征有关,只在各自相对成义的维度上具有意义,不可横向旁涉比较,因之使用通假训诂手段考释这类文字时作用有限。为了方便音乐记录和演唱,古人为不同八度的七声音阶专赋单字异名,但不同封国、地域可能采用的专词不同,所代表的音位也未必一致。推测早期乐谱需要依靠晚期材料,值得作任何尝试,同时对一些编悬的乐器需要注意其铭文中的位次信息。
The terminology in the newly excavated music manuscripts has unique significance,which needs to be studied comprehensively in the context of various disciplines.The qualifiers,such as“shang”(上)and“xia”(下),“da”(大)and“xiao”(小),and“qian”(遣)and“fan”(反),related to the characteristics of different musical instruments,have significance within their respective contextual dimensions,and can not be compared horizontally.For this reason,the method of applying exegesis or homophone to interpret such texts is of limited effect.In order to facilitate the recording and singing of music,the ancients assigned unique single-character names to the seven notes of the scale across different octaves.However,different states and regions may use different terms,and the phonemes they represent may not be consistent.It is worth making any attempt to speculate the early music scores based on late materials.Meanwhile,for some suspended instruments,it is important to pay attention to the positional information in their inscriptions.
出处
《中国文化研究》
CSSCI
北大核心
2024年第3期64-69,共6页
Chinese Culture Research
基金
“古文字与中华文明传承发展工程”规划项目“齐国文字博物馆藏古文字资料整理与研究”(G1418)
中国社会科学院历史理论研究所创新课题“中华文明史重大理论问题研究(新)”(2024LSLLS05)的阶段性成果。
关键词
乐类文献
音律
缀词
异名
编联
music manuscripts
temperament
affix
variant name
arrangement
作者简介
胡其伟(1992-),男,浙江庆元人,历史学博士,中国社会科学院历史理论研究所中华文明研究室助理研究员,主要研究方向为出土文献与先秦史、中华文明史。
