摘要
年画属于中国民俗艺术之一,其形成与中国2 000多年的封建历史相关。通过分析不同时期的年画在社会生活中的表现形式,思考当代年画的传承困惑与发展策略,探索木版年画的发展需与中国年节发展史同步,以中国发展史为研究脉络,借鉴不同时期木版年画的表现形式,寻求当代滩头木版年画的传承路径。通过构建“产学研一体+服务市场化+创新产业链”新模式,阐述木版年画产业“产学一体、生态发展、合作共赢”的新路径。年画为中国劳动人民喜闻乐见,因其具悠久的历史与深刻的文化性,是实现乡村振兴的选择之一。
New Year pictures are one of the Chinese folk arts,and their formation is related to China's feudal history of more than 2,000 years.Through the analysis of the expression forms of New Year pictures in different periods in social life,the author thinks about the inheritance perplexity and development strategy of contemporary New Year pictures.The exploration of the development of woodcut New Year pictures should be synchronized with the development history of Chinese New Year festivals,take the development history of China as the research context,learn from the expression forms of woodcut New Year pictures in different periods,and seek the inheritance path of contemporary Tantou Woodcut New Year pictures.The results show that a new model of"integration of production,study and research+service marketization+innovation industry chain"is built,and a new path of"integration of production and study,ecological development and win-win cooperation"is expounded for the wood-block New Year picture industry.New Year pictures are popular with the Chinese working people,because of their long history and profound culture,is one of the choices to achieve rural revitalization.
作者
罗鹏程
王辛燃
吴俊熹
吴魁
LUO Pengcheng;WANG Xinran;WU Junxi;WU Kui(School of Packaging Design and Art,Hunan University of Technology,Zhuzhou,Hunan,412000;School of Engineering and Design,Hunan Normal University,Changsha,Hunan,410000)
关键词
滩头木版年画
传承困惑
发展策略
Tantou Woodcut New Year Pictures
Inheritance Confusion
Development Strategy
作者简介
罗鹏程(1996-),男,湖南工业大学在读硕士研究生;通信作者:吴魁(1962-),男,湖南工业大学副教授、硕士生导师,硕士。E-mail:2634339612@qq.com。
