摘要
敦煌壁画历史悠久,艺术氛围浓厚,是现代动画电影创作永不枯竭的宝贵资源。但现阶段,国内学术界相对缺乏关于如何将敦煌壁画的人物造型运用在动画电影人物造型设计中的研究。为了提高人们对敦煌壁画、动画电影人物造型设计的关注,将我国传统文化与动画电影人物造型进行融合创新。文章通过分析敦煌壁画的人物造型特征、动画电影人物造型设计的现状,提出敦煌壁画的人物造型在动画人物电影造型设计中的应用策略,以期为我国动画电影人物造型设计提供有益的参考。
Dunhuang murals have a long history and rich artistic atmosphere,which is an inexhaustible precious resource for modern animation film creation.However,at present,domestic academic circles are relatively lacking of research on how to apply the character modeling of Dunhuang murals to the character modeling creation of animated films.In order to raise people's attention to the character styling design of Dunhuang murals and animated films,and integrate Chinese traditional culture with the character styling of animated films.The article analyzes the character modeling characteristics of Dunhuang murals and the current status of character modeling design in animated films,and proposes application strategies for the character modeling of Dunhuang murals in the design of animated character films.
作者
王艺淑
傅丽莉
WANG Yishu;FU Lili(School of Art,Southeast University,Nanjing 211189,China)
出处
《工业设计》
2024年第8期108-111,共4页
Industrial Design
关键词
敦煌壁画
动画电影
人物造型
造型设计
传统文化
Dunhuang Murals
Animation Film
Character Modeling
Modeling Design
Traditional Culture
作者简介
王艺淑(2004-),女,江苏常州人,本科生,研究方向为动画设计;傅丽莉(1971-),女,江苏宜兴人,博士,副教授,研究方向为手绘动漫、艺术学理论、油画等。
