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论迟子建的民族志书写理念

On Chi Zijian’s Ethnographic Writing Concept
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摘要 迟子建以其丰硕的创作实绩,成为中国当代文坛的优秀作家之一。她的文学文本与其他作家相比具有很大的差异性。之所以存在这种差异性,主要源于其独特的民族志书写理念。东北地域苍莽辽阔、多民族杂居的自然环境,以及文化遗风流传浸润的人文环境,共同铸成了迟子建的民族志书写理念——一种与东北古老而生生不息的自然崇拜精神血脉相连的、充满着“热度和力量”及“繁华奔流”的理性观念。她通过文学的手段对人类的生存进行形而上的本真意义的追求,突出地展示人类共同的心理困惑和精神危机,以期通过对人类历史命运和现实生存状态的描写,反映人类共同的文化问题。从这个层面而言,迟子建以民族志书写理念为指导的文学创作可视为其寻求文学活动对人类文明和人自身发展的意义而进行的尝试和努力。 Chi Zijian has emerged as one of the outstanding writers in contemporary Chinese literature through her prolific creative achievements.Her literary texts differ significantly from those of other writers,primarily due to her unique ethnographic writing concept.This concept is shaped by the vast,multi-ethnic natural environment of Northeast China and the humanistic milieu steeped in cultural legacy.Chi Zijian’s ethnographic writing concept is intrinsically linked to the ancient and enduring natureworshipping spirit of the Northeast,embodying rational ideas full of“warmth and power”and“prosperous flow”.Through literary means,she pursues the metaphysical,authentic meaning of human existence,highlighting common psychological perplexities and spiritual crises.By portraying human historical destinies and current existential states,she aims to reflect shared cultural issues.From this perspective,Chi Zijian’s literary creations,guided by her ethnographic writing concept,can be viewed as an attempt to explore the significance of literary activities for human civilization and self-development.This approach represents a substantial step forward in understanding the role of literature in shaping human culture and individual growth.
作者 荆莹莹 戴虹波 JING Yingying;DAI Hongbo(Li Jinhui School of Music,Hunan University of Science and Technology,Xiangtan 411100,China)
出处 《内蒙古民族大学学报(哲学社会科学版)》 2024年第4期70-76,共7页 Journal of Inner Mongolia Minzu University:Philosophy and Social Sciences Edition
基金 湖南省社会科学基金一般项目“20世纪上半叶湘西苗族音乐民族志研究”(项目编号:23YBA150)的阶段性成果。
关键词 迟子建 民族志书写理念 文学人类学 Chi Zijian ethnographic writing concept literary anthropology
作者简介 荆莹莹,湖南科技大学黎锦晖音乐学院副教授,文学博士,主要研究方向为艺术与文学人类学、艺术批评。
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