摘要
宋代杨甲所撰《六经图序》言:“古之学者,左图右书,索象于图,索理于书,故其义可陈,其数可纪,举而厝之,如合符契。”图像自古就是重要的历史研究材料,对于舞蹈图像的把握亦为今日舞蹈史研究的一个关键方向。本文主要借用图像学的方法审视舞蹈图像,进而探讨舞蹈图像的类别以及如何入手舞蹈图像的研究,并通过厘清图像与舞蹈二者复杂的关系,尝试建立一条舞蹈图像学的研究路径。
The preface to the Six Classics,written by Yang Jia of the Song Dynasty,states:"Ancient scholars,with pictures on their left hands and books on their right hands,searched for images on the pictures and principles in the books,so the meanings can be expressed,the numbers can be recorded They always put the pictures and books in proper places."Images have been important historical research materials since ancient times,and the grasp of dance images has also been a key direction in the study of dance history today.This article mainly uses the method of iconography to examine dance images,and then explores the categories of dance images and how to conduct research on dance images.By clarifying the complex relationship between images and dance,it attempts to establish a research path of dance iconography.
作者
穆杰
Mu Jie(Dance Culture and Art Center,Mianyang Normal University)
出处
《中国舞蹈学》
2024年第1期222-244,363,364,共25页
CHOREOLOGY IN CHINA
关键词
舞蹈图像学
图像研究
范畴与分类
Dance Iconography
Image Study
Category and Classification
作者简介
穆杰,绵阳师范学院舞蹈文化艺术中心兼职教师,主要研究方向为佛教舞蹈、中国古代舞蹈史。
