摘要
作为南北朝绘画的实物案例,司马金龙墓屏风漆画的艺术价值已有较为全面的挖掘,其表达主旨、现实功能和历史影响则尚待进一步探讨。近年来的综合研究开始串联起图像、文学、历史等学科知识和方法,屏风漆画在“孝子列女图”之外的“证经补史”作用逐渐得到了发挥,这也是此类文献研究今后的发展趋势。
As the art carrier of the Northern and Southern Dynasties,the lacquer screen-painting from the tomb of SIMA Jinlong has been attached much importance.Scholars have generated large amounts of instructive research about its aesthetic value,resulting in the ignorance of its ideology,realistic functions and historic influence.Recently,more and more treatises have begun to use the inter-disciplinary research method of art,literature,history and culturology.The role of screen lacquer painting in“verifying classics and supplementing history”beyond the“Filial Sons and Exemplary Women”painting has gradually been realized,which is also the future development trend of such literature research.
作者
王鑫
WANG Xin(School of Liberal Arts,Renmin University of China,Beijing,100872)
出处
《山西大同大学学报（社会科学版）》
2024年第4期49-54,共6页
Journal of Shanxi Datong University(Social Science Edition)
基金
中国人民大学科学研究基金(中央高校基本科研业务费专项资金资助)项目“《孝子传》文献整理与研究”(23XNH137)。
关键词
北魏
司马金龙
屏风漆画
墓葬美术
叙事图像
孝子列女图
Northern Wei Dynasty
SIMA Jinlong
lacquer screen-painting
funerary art
narrative illustration
Picture of Filial Sons and Exemplary Women
作者简介
王鑫(1996-),山西大同人,在读博士,研究方向:中国古典文献学。
