摘要
砖雕艺术作为闽北民间艺术的代表,明清时期广泛应用于传统建筑装饰。然而这门传统民间艺术已经无法适应时代发展和审美变化,濒临失传的危险。文章通过研究闽北砖雕的艺术特色,梳理制作工艺,分析其面临的现状困境,进而从传承人队伍发展、革新工艺产品、顺应市场需求三个方面思考新时代背景下闽北民间砖雕工艺传承与发展的对策,以期为传统民间艺术的保护和传承提供参考。
As a representative of folk art in northern Fujian,brick carving art was widely used in traditional architectural decoration in Ming and Qing dynasties.However,this traditional folk art has been unable to adapt to the development of modern times and aesthetic changes,and is on the verge of being lost.By studying the characteristics of brick carving art in northern Fujian,combing the production process,and analyzing the current predicament faced by it,the paper further considers the countermeasures for the inheritance and development of folk brick carving art in northern Fujian in the new era from three aspects:the development of inheritor team,the innovation of craft products,and the adaptation to market demand,in order to provide references for the protection and inheritance of traditional folk art.
作者
杨琼
李华珍
YANG Qiong;LI Huazhen(School of Architecture and Urban Rural Planning,Fujian University of Science and Technology,Fuzhou 350118,China)
出处
《工业设计》
2024年第7期72-75,共4页
Industrial Design
关键词
民间艺术
闽北砖雕
艺术特色
工艺传承
Folk Art
Northern Fujian Brick Carving
Artistic Characteristics
Inheritance of Craftsmanship
作者简介
杨琼(1981-),女,福建仙游人,硕士,高级实验师,研究方向为传统建筑美学与民间美术;李华珍(1978-),女,福建仙游人,硕士,副教授,研究方向为传统村落保护。
